ARCHIVE_FEATURED IN OTHER WORKS_2020_2022
”It doesn’t look like anything to me”
Total artwork between visual artist JULES FISCHER (DK) and musician and composer JOSEFINE OPSAHL (DK)
with performers BECK HEIBERG, SALL LAM TORO, ANDREAS HAGLUND AND JUPITER CHILD and with cellist HRAFNHILDUR MARTA GUðMUNDSDÓTTIR
The title refers to the sci-fi series Westworld. The phrase is a fail-save response to encounters which make the hosts (robots) question their own reality. In the setting of an Art Fair one might wonder who are hosts and who are guests?
The movement material is searching for vulnerability and softness in found material from sports, movies, folk dance and everyday gestures. The fragments are looped and mixed with phrases developed by the performers into a slow choreography. The piece is playing with ambivalence and illegibility as an escape from binaries while questioning hegemony is a “natural” trait. Josefine re-worked the piece Drei Bewegungen des Elektrischen Körpers– in a 30 minute score for cello, electronics and voice – for Enter Art Fair.
”It doesn’t look like anything to me” is an experiment combining two different practices and works into one as a curatorial choice.
Curated by Irene Campolmi for Enter Art Fair.
Costume & Styling: Camilla Lind
Photo-documentation by Julie Nymann
“workshop with a group of vocalists and performers from the Danish art-scene, and this in collaboration with the legendary artist Laurie Anderson. The workshop served as the culminationy of CLICK - AI DAYS as well as the start of a new choir project with Laurie Anderson related to work within the field of contemporary art and AI.
With participants Francesca Buratelli, Mads Bittmann, Marcela Lucatelli and Sall Lam Toro, and curators Agnete Hannibal, Claus Haxholm and Sandra Borch”
19 December 2021, Helsingør, Denmark
Video still documentation by @akekusu
We’re Magic. We’re Real #3 ( These Walls)”
Site specific durational performance at Kunsthal Charlotenborg taking place on the 11th June 2022 as part of “Archives in the Tongue: A Litany of Freedoms” exhibition by Jeanette Ehlers curated by Awa Konaté and Lotte Løvholm. Participating as performer in the installation performance at Kunsthal Charlottenborg.
8:10 (𝑻𝒉𝒆 𝑬𝒎𝒃𝒓𝒂𝒄𝒆) by Miles Greenberg
Live durational performance. Participated here as performer.
8:10 (The Embrace) is an ongoing durational performance installation. It is an open-ended, non-narrative ritual work that occupies the space of sculpture, rather than that of a linear performance”.
ຟคtēr iຖ ค hēคtຟคงē ๖น Miles Greenberg
Durational performance at Boca Bienal, Lisbon, Portugal
Participated as performer
Concept & choreography: Jules Fischer
Developed and performed in collaboration with: Kai Merke, Andreas Haglund, Sall Lam Toro & Julienne Doko.
Early research: Paolo de Venecia Gile & Phyllis Akynyi
Costume & Styling: Camilla Lind
Sound: Jules Fischer
Technical support: Hannibal Andersen
Flowers wither, fruit rot and glass break. Nothing is forever. The title VANITAS refers to baroque still life paintings where the things around us are staged to symbolize both impermanence and vanity. The performance VANITAS will take you into a dark and dreamy world of queer bodies and symbols ruled by change. Here you will meet the precariousness of finding intimacy and meaning in a landscapes dictated by binaries.
VANITAS is performed by professional dancers, performers and singers to a poetic sound collage of popmusic. The performance is filled with ambivalence and everything is in a constant state of transformation.
This performance is a tribute to queer and trans communities everywhere and to those who most be in flux to be whole.
Images from developement at HAUT recidency 2020, proces-showing at Bikubenfonden’s Open Studio 2020 and an excerpt live streamed at Det Frie Felts Festival 21